When Motion Became a Backdrop

I observe a car frozen inside an image, mounted in a shop window, while a wooden pallet leans against the glass like an afterthought of the physical world.
In daily life, motion was something we admired, consumed, and exhibited, even when it was already over.
The pallet belongs to work, logistics, friction, while the car behind it survives only as scenery.
In 2049, everyday life no longer frames mobility as an object of desire, it treats it as a solved condition that no longer needs to be shown.

Rethinka / 2049