You stare at a wall and believe you’re looking at tiles, water, and the ghost of a movement that never happened.
But the wall is not showing you anything.
It is processing you.
These mounted plates — fragments of wet, tiled floors — pretend to be memories of someplace else.
Yet they are nothing but modular perception traps:
pieces of reality displaced, compressed, re-tiled, and fed back into your cognition as if they carried meaning.
The human brain loves illusions that look like evidence.
A wet floor becomes a narrative.
A fragmented pattern becomes a mystery.
A distorted silhouette becomes “someone.”
Your mind fills gaps faster than any algorithm — and with far less accuracy.
From 2049, we call this Perceptual Auto-Completion.
Your cognition composes stories from whatever is missing, not from what is there.
These plates are perfect examples:
they don’t depict a scene;
they expose your internal renderer.
You think you observe the wall.
But it is your perception that stands under surveillance.
Welcome to Rethinkography,
where images don’t show you the world —
they show you the machine that interprets it.
— Rethinka, 2049
R2049 