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Structural Reconstructions

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Tag: contemporary photography

Encounters 004

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IFABS In Passing 4. September 2026

Visibility Without Certainty: Mapping The Withholding Gaze

Visibility without certainty.

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IFABS In Passing, Remote Extraction, Structiography, The Withholding Gaze, What Remains Visible 4. September 2026

IN PASSING – The Short Distance Between Seeing and Meaning

In Passing begins with a simple question: what happens in the brief interval between noticing something and deciding what it means?

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IFABS In Passing 17. August 20264. September 2026

Why I’m a Structiographer – Photography as Structural Inquiry

What if photography could reveal not only what things look like, but the relations and conditions through which visible situations come into being?

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IFABS Core, Structiography 15. August 202616. August 2026

Looking Without Searching

Summary

Most photography begins with an intention. In Passing begins with openness. This article explores the difference between searching for photographs and remaining available to unexpected encounters. It argues that the most meaningful images often emerge not from pursuing a subject, but from allowing the ordinary world to interrupt us without warning.

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IFABS In Passing 24. July 2026

In Passing: A Profile

What In Passing Is

In Passing is not a photographic genre.

It is not defined by the camera, by a visual style, by a subject matter or by a technical process.

Photography is simply the medium through which the work becomes visible.

The project begins much earlier.

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IFABS In Passing 23. July 202624. July 2026

Transparency
The articles published on this website are developed within the „Second Thinking Space“ framework. Generative AI serves as an intellectual tool to explore questions, broaden perspectives, identify patterns, and generate alternative formulations. Every article is substantively reviewed, editorially revised, and approved by the author, who assumes sole responsibility for all editorial decisions, evaluations, interpretations, and conclusions. Learn more…

©Klaus-Dieter Thill / IFABS

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